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WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
---|---|---|---|---|---|---|---|---|---|
1 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - F major scale fingering
|
By the end of the
lesson, the learner
should be able to:
a)Identify fingering for notes in F major scale b)practice how to hold he notes on the scale of Fmajor c)appreciae and Show interest in recorder fingering technique |
- Watch video on F major scale fingering
- Study fingering chart for F major - Discuss importance of correct fingering |
Why is observing the correct fingering important when playing melodies?
|
- KLB Top Scholar (pg. 94)
- Digital resources - Descant recorders - Fingering charts |
- Observation
- Oral questions
- Practical assessment
|
|
1 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Recorder types
Descant Recorder - Random note practice |
By the end of the
lesson, the learner
should be able to:
a)read and interpret fingering chats of notes of f major' b) play the notes to distinguish between Baroque and German recorders c)appreciate and show interest in instrument variations |
- Examine different recorder types
- Compare Baroque and German fingering - Study fingering chart differences |
What are the differences between Baroque and German recorders?
|
- KLB Top Scholar (pg. 95)
- Digital resources - Recorder samples (if available) - Fingering charts - Descant recorders - Note charts - Music stands |
- Observation
- Oral questions
- Written assignments
|
|
1 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Pinching technique
Descant Recorder - F major scale Descant Recorder - Scale performance Descant Recorder - Solo preparation Descant Recorder - Solo piece practice |
By the end of the
lesson, the learner
should be able to:
a) identify and demonstrate the pinching technique. b)play the scale of F major ascending and descending c)appreciate and Show interest in advanced pinching techniques. a) Perform F major scale with fluency as a solo player. b)Apply correct fingering throughout c)appreciate and value playing music on the descant recorder |
- Study the pinching technique
- Watch tutorial demonstrating pinching - Practice pinching technique on note F - Practice F major scale individually - Focus on smooth transitions between notes - Apply proper breath control |
How does the pinching technique affect the sound quality?
What challenges arise when playing the F major scale? |
- KLB Top Scholar (pg. 96)
- Digital resources - Descant recorders - Video tutorials - F major scale notation - Music stands - KLB Top Scholar (pg. 97) - Descant recorders - F major scale notation - Music stands - Digital resources - Solo repertoire examples - Performance guides - "In the Bleak Midwinter" score |
- Observation
- Practical assessment
- Sound quality evaluation
- Observation - Practical assessment - Performance evaluation |
|
1 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Group rehearsal
Descant Recorder - Solo performance |
By the end of the
lesson, the learner
should be able to:
a) identify the steps for playing the F major scale on he staff. b)Rehearse a solo piece in groups c) appreciate and show interest in expressive performance using a descant recorder |
- Rehearse "In the Bleak Midwinter" in groups
- Apply indicated tempo and dynamics - Focus on musical expression |
How do dynamics and tempo affect musical expression?
|
- KLB Top Scholar (pg. 98)
- Descant recorders - "In the Bleak Midwinter" score - Music stands - Performance space |
- Observation
- Group assessment
- Performance evaluation
|
|
2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Play - Format of a play script
Play - Script analysis Play - Script elements |
By the end of the
lesson, the learner
should be able to:
- Identify elements of a play script - Describe the format of a play script - Show interest in play structure |
- Read an extract of a play script
- Identify title, playwright, characters, acts, scenes - Discuss stage directions and dialogue |
What distinguishes a play script from other forms of writing?
|
- KLB Top Scholar (pg. 99)
- Sample play scripts - Digital resources - Extract of "Tijani's Courage" - KLB Top Scholar (pg. 100) - Recorded play performances - Script analysis guidelines - KLB Top Scholar (pg. 101) - Play script examples - Element description cards - Matching exercise |
- Observation
- Oral questions
- Written assignments
|
|
2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Play - One act play structure
Play - Theme selection |
By the end of the
lesson, the learner
should be able to:
- Describe the structure of a one act play - Identify beginning, middle, and end - Show interest in play development |
- Read a one act play script
- Outline the main events - Discuss one act play structure |
How is the story of a one act play structured?
|
- KLB Top Scholar (pg. 101)
- Sample one act plays - Digital resources - Structure diagrams - KLB Top Scholar (pg. 102) - News articles - Social issue information |
- Observation
- Oral questions
- Written outlines
|
|
2 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Play - Plot creation
Play - Character development Play - Setting and dialogue Play - Script creation Play - Music and costumes |
By the end of the
lesson, the learner
should be able to:
- Create a plot for a one act play - Incorporate trigger action and conflict - Show interest in story development - Establish setting for a one act play - Create appropriate dialogue - Show interest in play elements |
- Identify beginning, trigger action, middle, resolution
- Create logical sequence of events - Develop conflict and resolution - Determine time and place for the play - Develop conversational dialogue - Consider language and style |
What makes a compelling plot in a one act play?
How does setting influence the action of a play? |
- KLB Top Scholar (pg. 103)
- Plot structure diagrams - Story development guides - Sample plots - KLB Top Scholar (pg. 104) - Character development guides - Character profile templates - Sample character descriptions - KLB Top Scholar (pg. 104) - Setting examples - Dialogue writing guides - Sample dialogues - KLB Top Scholar (pg. 105) - Script templates - Writing materials - Format guidelines - KLB Top Scholar (pg. 106) - Music samples - Costume design materials - Prop creation supplies |
- Observation
- Plot outlines
- Peer review
- Observation - Setting descriptions - Dialogue samples |
|
2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Play - Acting preparation
Play - Movement and voice |
By the end of the
lesson, the learner
should be able to:
- Understand the process of acting a role - Analyze script for character development - Show interest in performance preparation |
- Discuss acting preparation steps
- Analyze scripts for character insights - Participate in casting process |
How can a play performance be made believable to an audience?
|
- KLB Top Scholar (pg. 107)
- Acting guides - Script analysis worksheets - Performance tips - KLB Top Scholar (pg. 108) - Movement exercise guides - Voice training resources - Performance space |
- Observation
- Oral discussions
- Written analyses
|
|
3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Play - Rehearsal techniques
Play - Warm-up activities |
By the end of the
lesson, the learner
should be able to:
- Demonstrate rehearsal processes - Apply polishing, technical, and dress rehearsals - Show interest in performance improvement |
- Practice line rehearsals
- Implement voice projection exercises - Conduct polishing, technical and dress rehearsals |
What types of rehearsals are needed for an effective performance?
|
- KLB Top Scholar (pg. 109)
- Rehearsal guides - Performance space - Performance materials - KLB Top Scholar (pg. 110) - Warm-up exercise guides - Exercise demonstrations |
- Observation
- Rehearsal participation
- Progress assessment
|
|
3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Play - Performance preparation
Play - Performance analysis Play - Role allocation |
By the end of the
lesson, the learner
should be able to:
- Apply performance strategies - Implement stage presence techniques - Show interest in audience engagement |
- Discuss stage behavior and presence
- Learn strategies for forgetting lines - Practice voice projection and listening |
What should actors do when they forget their lines?
|
- KLB Top Scholar (pg. 110)
- Performance strategy guides - Performance space - Scenario practice - Recorded play performances - Analysis worksheets - Discussion guides - KLB Top Scholar (pg. 111) - Created play scripts - Role allocation guidelines - Cast lists |
- Observation
- Practical assessment
- Scenario responses
|
|
3 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Play - Performance
Basketball - Introduction to passing Basketball - Video analysis Basketball - Chest pass Basketball - Bounce pass |
By the end of the
lesson, the learner
should be able to:
- Perform a role in a one act play - Apply all learned performance techniques - Show confidence in theatrical performance - Analyze passing skills in Basketball videos - Identify different passing techniques - Show interest in game analysis |
- Perform allocated roles in plays
- Apply voice, movement, and character techniques - Engage with the audience - Watch video clip of Basketball game - Observe passing skills in action - Describe various passing techniques |
How effectively does the performance address the chosen societal issue?
Which ways of passing the ball are used in Basketball? |
- KLB Top Scholar (pg. 111)
- Performance space - Costumes and props - Music resources - KLB Top Scholar (pg. 112) - Digital resources - Pictures of Basketball passes - Basketball videos - KLB Top Scholar (pg. 113) - Digital resources - Basketball game videos - Passing technique guides - KLB Top Scholar (pg. 114) - Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 115) |
- Observation
- Performance evaluation
- Peer and teacher assessment
- Observation - Oral discussions - Video analysis reports |
|
3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Overhead pass
Basketball - Pass demonstrations |
By the end of the
lesson, the learner
should be able to:
- Demonstrate proper overhead pass technique - Execute stance, grip, and follow-through - Show interest in passing variations |
- Learn overhead pass technique
- Practice stance and grip - Execute preparatory, execution, and follow-through phases |
When would you use an overhead pass in a game?
|
- KLB Top Scholar (pg. 116)
- Basketballs - Open space for practice - Technique demonstrations - KLB Top Scholar (pg. 117) - Feedback guidelines |
- Observation
- Practical assessment
- Technique evaluation
|
|
4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Passing practice
Basketball - Passing games |
By the end of the
lesson, the learner
should be able to:
- Perform passing drills for skill development - Apply proper technique in practice - Show interest in skill refinement |
- Perform chest pass activity in pairs
- Execute bounce pass activity in groups - Practice partner passing with moving targets |
How do passing drills improve game performance?
|
- KLB Top Scholar (pg. 117)
- Basketballs - Open space for practice - Drill instructions - KLB Top Scholar (pg. 118) - Game instructions |
- Observation
- Practical assessment
- Drill execution
|
|
4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Dribbling introduction
Basketball - Low dribble Basketball - High dribble |
By the end of the
lesson, the learner
should be able to:
- Define dribbling in Basketball - Identify low and high dribble techniques - Show interest in ball control |
- Learn definition of dribbling
- Discuss purpose of low and high dribble - Observe dribbling demonstrations |
What is the purpose of dribbling in Basketball?
|
- KLB Top Scholar (pg. 118)
- Basketballs - Digital resources - Dribbling demonstrations - KLB Top Scholar (pg. 119) - Open space for practice - Technique demonstrations |
- Observation
- Oral questions
- Written assignments
|
|
4 | 3-4 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Dribble demonstrations
Basketball - Dribbling practice Basketball - Logo introduction Basketball - Logo research |
By the end of the
lesson, the learner
should be able to:
- Demonstrate both dribbling techniques - Provide feedback on dribbling form - Show interest in skill improvement - Define logo and identification symbols - Identify logos for sports teams - Show interest in visual design |
- Demonstrate low and high dribble
- Take turns performing different dribbles - Provide constructive feedback to others - Study sample logos - Identify teams represented by symbols - Discuss logo design principles |
What are the key differences between low and high dribbles?
How can you design a symbol for a sports team? |
- KLB Top Scholar (pg. 120)
- Basketballs - Open space for practice - Feedback guidelines - Cones for zigzag path - KLB Top Scholar (pg. 121) - Sample logos - Digital resources - Sports team logos - KLB Top Scholar (pg. 122) - Logo design tutorials - Logo samples |
- Observation
- Practical assessment
- Peer feedback
- Observation - Oral questions - Written assignments |
|
4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Logo characteristics
Basketball - Logo sketching Basketball - Logo finalization |
By the end of the
lesson, the learner
should be able to:
- Explain characteristics of effective logos - Identify logo elements and symbolism - Show interest in logo meaning |
- Discuss logo definition and purpose
- Analyze elements in sample logos - Explore color symbolism in logos |
What do you consider when designing a logo for a team?
|
- KLB Top Scholar (pg. 123)
- Sample logos - Color symbolism guides - Design elements charts - Drawing paper - Pencils and rulers - Design sketching guides - KLB Top Scholar (pg. 124) - Colored pencils/paint - Brushes |
- Observation
- Oral questions
- Written assignments
|
|
5 |
EXAMS |
||||||||
6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball - Logo critique
Basketball - Mini game |
By the end of the
lesson, the learner
should be able to:
- Display logo designs for viewing - Provide constructive feedback - Show appreciation for design work |
- Display logo designs
- Discuss color and image choices - Provide improvement suggestions |
How can the logo designs be improved?
|
- KLB Top Scholar (pg. 124)
- Completed logo designs - Display space - Critique guidelines - KLB Top Scholar (pg. 125) - Basketballs - Team logos - Playing area - Safety equipment |
- Observation
- Peer assessment
- Self-assessment
- Teacher assessment
|
|
6 | 2 |
Creating and Performing
|
Indigenous Kenyan Crafts - Pottery in coil technique
Indigenous Kenyan Crafts - Preparing clay |
By the end of the
lesson, the learner
should be able to:
- Describe coil techniques in pottery - Identify different pottery items modeled using coil technique - Show interest in indigenous pottery techniques |
- Study pottery items from actual and virtual sources
- Analyze coil technique through observation of samples - Watch videos showing pottery items modeled using coil technique - Discuss features of coil technique in pottery |
Why is clay the preferred material for pottery?
|
- KLB Top Scholar (pg. 124)
- Digital resources - Sample pottery items - Pictures and videos - KLB Top Scholar (pg. 126) - Clay samples - Tools for clay preparation |
- Observation
- Oral questions
- Written assignments
|
|
6 | 3-4 |
Creating and Performing
|
Indigenous Kenyan Crafts - Modeling vessels
Indigenous Kenyan Crafts - Decorating vessels Indigenous Kenyan Crafts - Firing pottery Indigenous Kenyan Crafts - Weaving introduction Indigenous Kenyan Crafts - Frame loom making |
By the end of the
lesson, the learner
should be able to:
- Make coils of uniform thickness - Join clay coils to form a vessel - Create vessel shapes using coil technique - Describe weaving techniques for fabric making - Identify warp and weft in woven fabrics - Appreciate weaving as an indigenous craft |
- Make a sketch of intended vessel shape
- Roll clay coils of uniform thickness - Create the base of the vessel - Join coils systematically to build the vessel walls - Study samples of woven fabrics - Identify warp and weft threads in various woven items - Examine twill weave structure and patterns - Discuss how fabrics are woven |
How are coils fixed to model a vessel?
How is a fabric woven? |
- KLB Top Scholar (pg. 129)
- Digital resources - Clay - Modeling tools - KLB Top Scholar (pg. 132) - Clay vessels - Decorating tools - KLB Top Scholar (pg. 133) - Dry clay vessels - Firewood and safety equipment - KLB Top Scholar (pg. 134) - Digital resources - Woven fabric samples - Twill weave diagrams - KLB Top Scholar (pg. 136) - Timber pieces - Nails, hammer, and measuring tools |
- Observation
- Practical assessment
- Product evaluation
- Observation - Oral questions - Written assignments |
|
6 | 5 |
Creating and Performing
|
Indigenous Kenyan Crafts - Twill weaving
Indigenous Kenyan Crafts - Display and critique Indigenous Kenyan Crafts - Self-assessment |
By the end of the
lesson, the learner
should be able to:
- Set up warps on the frame loom - Weave fabric using 2/1 twill technique - Apply creativity in fabric creation |
- Fix warp threads on the loom
- Interlace weft threads following 2/1 twill pattern - Press weft threads close together after each row - Create unique patterns through twill weaving |
How is the 2/1 twill weaving technique executed?
|
- KLB Top Scholar (pg. 139)
- Digital resources - Frame loom - Weaving threads - KLB Top Scholar (pg. 140) - Completed craft items - Display materials - Self-assessment forms - Reflection journals |
- Observation
- Practical assessment
- Product evaluation
|
|
7 | 1 |
Creating and Performing
|
Swimming - Standing dive technique
Swimming - Standing dive practice |
By the end of the
lesson, the learner
should be able to:
- Describe the body position in standing dive - Identify the phases of standing dive - Show interest in learning standing dive |
- Study pictures of standing dive positions
- Identify body positioning and alignment - Watch demonstrations of standing dive phases - Discuss safety measures for diving |
How can swimming skills be performed safely?
|
- KLB Top Scholar (pg. 141)
- Digital resources - Pictures and videos - Safety guidelines - KLB Top Scholar (pg. 143) - Swimming pool (if available) - Safety equipment |
- Observation
- Oral questions
- Written assignments
|
|
7 | 2 |
Creating and Performing
|
Swimming - Land dive activity
Swimming - Butterfly stroke introduction |
By the end of the
lesson, the learner
should be able to:
- Perform standing dive while observing safety - Apply correct technique in dive execution - Show confidence in diving skills |
- Practice standing dive on land
- Perform standing dive in groups - Share constructive feedback on performance - Demonstrate proper entry technique |
How can standing dive technique be improved?
|
- KLB Top Scholar (pg. 144)
- Digital resources - Practice area - Safety equipment - KLB Top Scholar (pg. 145) - Swimming videos - Diagrams and charts |
- Observation
- Practical assessment
- Self-evaluation
|
|
7 | 3-4 |
Creating and Performing
|
Swimming - Butterfly body position
Swimming - Butterfly arm action Swimming - Butterfly leg action Swimming - Butterfly coordination Swimming - Complete stroke practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the body position for butterfly stroke - Maintain proper streamlined position - Apply correct body wave movement - Coordinate breathing, arm and leg actions - Apply proper timing in stroke execution - Perform complete butterfly stroke technique |
- Practice the prone floating streamlined position
- Maintain horizontal body position - Practice body wave movement - Position head with eyes looking down - Coordinate leg kick, breathing and arm action - Apply two leg kicks for each arm pull - Coordinate breathing with arm recovery - Practice rhythm in stroke execution |
How should the body be positioned for butterfly stroke?
How are the components of butterfly stroke coordinated? |
- KLB Top Scholar (pg. 146)
- Digital resources - Swimming pool - Floating aids - KLB Top Scholar (pg. 147) - Demonstration videos - Kick boards - KLB Top Scholar (pg. 148) - Digital resources - Swimming pool - Demonstration videos - KLB Top Scholar (pg. 149) - Safety equipment |
- Observation
- Practical assessment
- Individual evaluation
- Observation - Practical assessment - Group evaluation |
|
7 | 5 |
Creating and Performing
|
Kenyan Indigenous Games - Board games introduction
Kenyan Indigenous Games - Bao game |
By the end of the
lesson, the learner
should be able to:
- Identify types of indigenous board games in Kenya - Explain the cultural significance of board games - Show interest in indigenous board games |
- Study pictures of indigenous board games
- Watch demonstrations of board games - Discuss the skills observed in the games - Identify various board game types |
How do indigenous board games enhance mental relaxation?
|
- KLB Top Scholar (pg. 150)
- Digital resources - Pictures and videos - Sample board games - KLB Top Scholar (pg. 152) - Bao boards or improvised materials - Seeds or stones |
- Observation
- Oral questions
- Written assignments
|
|
8 | 1 |
Creating and Performing
|
Kenyan Indigenous Games - Shisima game
Kenyan Indigenous Games - Draughts game Kenyan Indigenous Games - Improvising board games |
By the end of the
lesson, the learner
should be able to:
- Describe the Shisima board game structure - Explain the rules of playing Shisima - Apply strategic skills in Shisima game |
- Study the structure of Shisima boards
- Learn the rules of Shisima game - Practice playing Shisima in pairs - Develop winning strategies |
How is Shisima different from other board games?
|
- KLB Top Scholar (pg. 154)
- Digital resources - Shisima boards or improvised materials - Game pieces - KLB Top Scholar (pg. 157) - Draughts boards - KLB Top Scholar (pg. 156) - Local materials (wood, sand, paper) - Tools for improvisation |
- Observation
- Practical assessment
- Peer evaluation
|
|
8 | 2 |
Creating and Performing
|
Kenyan Indigenous Games - Games with music
Kenyan Indigenous Games - Mental health benefits |
By the end of the
lesson, the learner
should be able to:
- Play indigenous board games to background music - Explain how music enhances game experience - Appreciate the integration of music and games |
- Create suitable indoor settings for games
- Use music system for rhythmical accompaniment - Play board games with background music - Experience emotional aspects of game playing |
How does music enhance the board game experience?
|
- KLB Top Scholar (pg. 157)
- Digital resources - Music system - Board games - Indoor game setting - KLB Top Scholar (pg. 158) - Flashcards of benefits - Art materials for posters |
- Observation
- Practical assessment
- Group evaluation
|
|
8 | 3-4 |
Creating and Performing
Appreciation in Creative Arts and Sports |
Kenyan Indigenous Games - Extended activities
Kenyan Indigenous Games - Self-assessment Analysis of Creative Arts and Sports - Play performance Analysis of Creative Arts and Sports - Ethical practices in sports Analysis of Creative Arts and Sports - Music analysis |
By the end of the
lesson, the learner
should be able to:
- Organize board game competitions - Demonstrate mastery of indigenous games - Promote indigenous games in the community - Define ethical practices in sports - Examine anti-doping as an ethical issue - Apply criteria to evaluate ethical issues |
- Organize and participate in board game competitions
- Teach peers indigenous board games - Discuss ways to promote indigenous games - Document traditional games from community members - Study ethical practices in sports focusing on integrity and fairness - Research on doping and anti-doping measures - Analyze anti-doping using criteria on fairness, integrity, and responsibility - Discuss impacts on athletes, coaches, and fans |
What is the importance of preserving indigenous games?
How can examining ethical issues improve sports integrity? |
- KLB Top Scholar (pg. 158)
- Digital resources - Board games - Documentation materials - Self-assessment forms - Reflection journals - KLB Top Scholar (pg. 159) - Sample analytical criteria - Play performance videos - KLB Top Scholar (pg. 162) - Digital resources - Anti-doping materials - Analytical criteria table - KLB Top Scholar (pg. 164) - Music scores - Audio recordings |
- Observation
- Practical assessment
- Project evaluation
- Observation - Group discussions - Written analysis |
|
8 | 5 |
Appreciation in Creative Arts and Sports
|
Analysis of Creative Arts and Sports - Artwork critique
Analysis of Creative Arts and Sports - Creating art catalogues Analysis of Creative Arts and Sports - Ethical issues Analysis of Creative Arts and Sports - Value of analysis |
By the end of the
lesson, the learner
should be able to:
- Explain the process of critiquing exhibited artwork - Apply guidelines for art critique - Provide constructive feedback on artworks |
- Study the guidelines for critiquing artwork
- Analyze exhibited artworks using established criteria - Examine artistic elements, materials, and techniques - Document strengths and suggestions for improvement |
Why is critiquing important for artistic development?
|
- KLB Top Scholar (pg. 166)
- Digital resources - Artwork samples - Critiquing checklists - KLB Top Scholar (pg. 167) - Sample catalogues - Design materials - KLB Top Scholar (pg. 169) - Case studies - Ethical guidelines - KLB Top Scholar (pg. 171) - Self-assessment forms - Reflection journals |
- Observation
- Written critiques
- Peer evaluation
|
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